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Contemporary Australian and Canadian Literature and Film beyond the Victim Paradigm
Criminal justice inquiries may be the most historically dramatic means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of “memory work” that most individuals encounter historical reconciliation in practice. This book analyzes, within the realms of national literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is “carnivalesque,” temporarily overturning discursive hierarchies. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories.
Areas: North America Asia-Pacific
Don't Need No Thought Control
Western Culture in East Germany and the Fall of the Berlin Wall
The fall of the Berlin Wall is typically understood as the culmination of political-economic trends that fatally weakened the East German state. Meanwhile, comparatively little attention has been paid to the cultural dimension of these dramatic events, particularly the role played by Western mass media and consumer culture. With a focus on the 1970s and 1980s, Don’t Need No Thought Control explores the dynamic interplay of popular unrest, intensifying economic crises, and cultural policies under Erich Honecker. It shows how the widespread influence of (and public demands for) Western cultural products forced GDR leaders into a series of grudging accommodations that undermined state power to a hitherto underappreciated extent.
Subjects: History: 20th Century to Present Media Studies Cultural Studies (General) Film and Television Studies
Emotions, Ethics, and Cinematic Experience
New Phenomenological and Cognitivist Perspectives
Sinnerbrink, R. (ed)
Since the early 1990s, phenomenology and cognitivism have become two of the most influential approaches to film theory. Yet far from being at odds with each other, both approaches offer important insights on our subjective experience of cinema. Emotions, Ethics, and Cinematic Experience explores how these two approaches might work together to create a philosophy of film that is both descriptively rich and theoretically productive by addressing the key relationship between cinematic experience, emotions, and ethics.
Postsocialist Nostalgia and the Politics of Heroism in Czech Popular Culture
Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.
Subjects: Cultural Studies (General) History: 20th Century to Present Film and Television Studies Memory Studies
Area: Central/Eastern Europe