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Contents

Acknowledgements

Introduction
Ruxandra Trandafoiu

Part I: Migration

Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni

Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich

Chapter 3. Just Like Us: Migration and the ‘Prosthetic Western’ in Contemporary German Cinema
Owen Evans

Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatürk

Part II: Dislocation

Chapter 5. No Man’s Land: Rafi Pitts’ Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist

Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar

Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa

Chapter 8. ‘I am not here to just be en vogue’: Talking About the Politics of Dislocated Filmmaking, the Clarity of the ‘Third Eye’ and Having a Place in Your Country’s Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon

Postscript

Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon

Index

Migration, Dislocation and Movement on Screen

Edited by Ruxandra Trandafoiu

208 pages, bibliog., index

ISBN  978-1-80539-594-2 Hb Published (July 2024)



This title is published as Open Access

Full Text PDF | Full Text ePUB Made available under a CC BY-NC-ND 4.0 license with support from Berghahn Open Migration and Development Studies initiative.