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Contents
Acknowledgements
Introduction
Ruxandra Trandafoiu
Part I: Migration
Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni
Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich
Chapter 3. Just Like Us: Migration and the ‘Prosthetic Western’ in Contemporary German Cinema
Owen Evans
Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatürk
Part II: Dislocation
Chapter 5. No Man’s Land: Rafi Pitts’ Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist
Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar
Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa
Chapter 8. ‘I am not here to just be en vogue’: Talking About the Politics of Dislocated Filmmaking, the Clarity of the ‘Third Eye’ and Having a Place in Your Country’s Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon
Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon
Index
Migration, Dislocation and Movement on Screen
Edited by Ruxandra Trandafoiu
208 pages, bibliog., index
ISBN 978-1-80539-594-2 Hb Published (July 2024)