Acknowledgements

Part I: Migration

Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni

Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich

Chapter 3. Just Like Us: Migration and the ‘Prosthetic Western’ in Contemporary German Cinema
Owen Evans

Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatürk

Part II: Dislocation

Chapter 5. No Man’s Land: Rafi Pitts’ Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist

Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar

Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa

Chapter 8. ‘I am not here to just be en vogue’: Talking About the Politics of Dislocated Filmmaking, the Clarity of the ‘Third Eye’ and Having a Place in Your Country’s Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon

Postscript

Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon

Index

Migration, Dislocation and Movement on Screen

Edited by Ruxandra Trandafoiu

208 pages, bibliog., index

ISBN 978-1-80539-594-2 Hb Published (July 2024)

Details

Contemporary screen industries such as film and television have become primary sites for visualizing borders, migration, maps, and travel as processes of separation and dislocation, but also connection. Migration, Dislocation and Movement on Screen pulls case studies in film and television industries from throughout Europe, North Africa, and Asia to interrogate the nature of movement via moving images. By combining theoretical, interdisciplinary engagements with empirical research, this volume offers a new way to look at screen media's representations of our contemporary world's transnational and cosmopolitan imaginaries.

Ruxandra Trandafoiu is Professor of Media and Communications at Edge Hill University. She is the author of Diaspora Online: Identity Politics and Romanian Migrants (Berghahn Books, 2013) and The Politics of Migration and Diaspora in Eastern Europe: Media, Public Discourse and Policy (Routledge, 2022), as well as several edited collections and numerous articles exploring the relationship between media and migration.

Subject: Film and Television Studies Refugee and Migration Studies History: 20th Century to Present

Area: Europe

LC: PN1995.9.E44 M545 2024

BISAC: PER004030 PERFORMING ARTS/Film & Video/History & Criticism; HIS010000 HISTORY/Europe/General; SOC007000 SOCIAL SCIENCE/Emigration & Immigration

available open access under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) with support from Berghahn Open Migration and Development Studies initiative.

This title is published as Open Access

Full Text PDF | Full Text ePUB Made available under a CC BY-NC-ND 4.0 license with support from Berghahn Open Migration and Development Studies initiative.

berghahn New York · Oxford

Contents

Migration, Dislocation and Movement on Screen

Edited by Ruxandra Trandafoiu

Subject: Film and Television Studies Refugee and Migration Studies History: 20th Century to Present

Area: Europe

This title is published as Open Access

Full Text PDF | Full Text ePUB Made available under a CC BY-NC-ND 4.0 license with support from Berghahn Open Migration and Development Studies initiative.

Home -> Title

Contents

Migration, Dislocation and Movement on Screen

Edited by Ruxandra Trandafoiu

Subject: Film and Television Studies Refugee and Migration Studies History: 20th Century to Present

Area: Europe

This title is published as Open Access

Full Text PDF | Full Text ePUB Made available under a CC BY-NC-ND 4.0 license with support from Berghahn Open Migration and Development Studies initiative.