Contents

Dedication
List of Illustrations
Acknowledgments
Prologue

Introduction: Crafting as Worldmaking
Uzma Z. Rizvi and Sarah E. Jackson

Chapter 1. Unmaking and Remaking: Reclaiming Indigenous Identity
Sven Haakanson Jr.

Chapter 2. More than Just a Copy: Mimesis in the Crafting of Our Worlds
Christina T. Halperin, Sarah E. Jackson, and Céline Gillot

Chapter 3. Delight in Making: Affect, Metonymy, and Craft Practice
Zoë Crossland

Chapter 4. Design for Living: Andean-Amazonian perspectives on Pre-Incaic Making and Decoration
George F. Lau

Chapter 5. Making MohenjoDaro: Crafting Relations of Place and Urban Subjectivity
Uzma Z. Rizvi

Chapter 6. Pyrotechnologies in Ancient South India: Crafting Ashmounds and Making Metal
Praveena Gullapalli

Chapter 7. Nomadic Pastoralism, Landscapes, and Coproduction
Joshua Wright

Chapter 8. Tea and Beads: Crafting Relationships in Nineteenth-Century Hivernant Communities
Dawn Wambold

Chapter 9. Beading and Being in Relation: A Conversation Between Kisha Supernant and Krista Leddy
Kisha Supernant and Krista Leddy, transcribed and facilitated by Uzma Z. Rizvi

Chapter 10. A Walk Among Texts: Exploring New Spaces in Crafting and Making
Sarah E. Jackson

Conclusion: Concluding Thoughts on Crafting as Worldmaking and Collaborative Modes of Thinking, Writing, and Being
Zoe Crossland, Celine Gillot, Praveena Gullapalli, Sven Haakanson, Christina Halperin, Sarah E. Jackson, George F. Lau, Uzma Z. Rizvi, Kisha Supernant, R. Dawn Wambold, and Joshua Wright

Appendix: A Page from the Zine

Index